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museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | hair

museum | hair

Hair in African Art in Culture was organized by the Museum for African Art in New York and co-curated by Roy Sieber and Frank Herreman. It brought together over 170 objects including photographs, paintings, advertising boards, masks, pins, headrests and even an actual Ghanaian barbershop.

To illustrate the enormous significance of hair within African culture, the exhibition explored seven ways in which hair has special meaning: as an indicator of social status and religious function, a symbol of age and authority, a traditional aesthetic element, a statement of contemporary style, a substance with supernatural power and religious import, and as an object of beauty and adornment.

The exhibition included many objects relating to contemporary African and African American hairstyles that pointed up intriguing cross-cultural influences.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | orphans

museum | orphans

Orphans of the Rwanda Genocide portrayed the heroism and ongoing struggles of survivors to meet basic needs, pursue their educations, and heal the traumas they experienced in April 1994 when, in the course of 100 days, Hutu militias killed at least 800,000 men, women, and children. The genocide touched every corner of Rwanda, forever scarring the country. Today, survivors of the genocide are still struggling to rebuild their lives.

Jerry Berndt’s world-renowned photographs, along with first-person testimonials from survivors, offered powerful insights and unforgettable images.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | latin jazz

museum | latin jazz

Latin Jazz: La Combinación Perfecta, was a bi-lingual, multimedia exhibition that traced the evolution of a musical style that began receiving recognition in the ‘90s. It fuses two distinct but equally complex elements: jazz melodies and harmonies from the U.S. and polyrhythms from the Caribbean.

The exhibition featured musical instruments of famous musicians, listening stations, a 20-minute documentary, and an activity room with percussion instruments where visitors could experiment by creating their own music.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | covarrubias

museum | covarrubias

The African Diaspora in the Art of Miguel Covarrubias:
Driven by Color, Shaped by Cultures
This wide-ranging exhibition explored representations of people of African descent in the art of Covarrubias. It included drawings, paintings, prints and books depicting African Americans, Afro-Mexicans, Afro-Cubans, Haitians, and West, North and East Africans, as well as peoples of color within the Pacific Rim.

It featured drawings illustrating the intellectuals and performers in Harlem and in the rural South, as well as their letters, newspaper articles and other memorabilia.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

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museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | www

museum | www

The Whole World’s Watching: Peace and Social Justice Movements of the 1960s &1970s
was a collection of 90 documentary photographs and commentary by writers and witnesses of this extraordinary period, with a focus on the San Francisco Bay Area. It originated at the Berkeley Art Center.

It featured the Black Panthers, the Free-Speech and anti-war movements, feminism, disability rights, environmental activism, the struggle for gay rights, Cesar Chavez and the United Farm Workers, the American Indian occupation of Alcatraz, and the cultural milieu of this dramatic era.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | magubane

museum | magubane

Deconstructing Apartheid: The Photography of Peter Magubane
was a comprehensive overview of over forty years of photgraphs which created a powerful visual record of the brutal conditions of apartheid and the struggles to transform South Africa from a racist dictatorship to a multiracial democracy.

Bold, saturated colors, oversize graphics, and an exact replica of the jail cell where Magubane spent 568 days in solitary confinement were elements used to tell this dramatic story.

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | kinsey

museum | kinsey

The Personal Treasures of Bernard and Shirley Kinsey
was a diverse exhibition of paintings, sculptures, prints, books and photographs of African American intellectual, historic and artistic ephemera.

It presented a thematic narrative linking the Transatlantic Slave Trade, American
Slavery, Civil War and Reconstruction, Landscapes, The Harlem Renaissance, The Next Generation, and Postmodernism, reinforcing the Kinsey’s collecting philosophy “to document what is historically important, culturally relevant and aesthetically valued.”

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.

Show more
museum | branding

museum | branding

The CAAM logo is used on everything from signage and printed matter to street banners and outdoor sunshades, T-shirts and caps, shopping bags, and even humble floor mats.